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Kunz, George Frederick

"Shakespeare and Precious Stones Treating of the Known References of Precious Stones in Shakespeare's Works, with Comments as to the Origin of His Material, the Knowledge of the Poet Concerning Precious Stones, and Referen"


_King Richard II_, Act ii, sc. 1, l. 40-46.
"Histories", p. 28, col. B, lines 17-23.
In argument and proof of which contract,
Bear her this jewel, pledge of my affection.
_I Henry VI_, Act v, sc. 2, l. 46, 47.
"Histories", p. 115, col. A, lines 8, 9.
It seems she hangs upon the cheek of night,
Like a rich jewel in an Ethiop's ear;
Beauty too rich for use, for earth too dear.
_Romeo and Juliet_, Act i, sc. 5, l. 47-49.
"Tragedies", p. 57, col. B, lines 59-61.
But chiefly to take thence from her dead finger
A precious ring, a ring that I must use
In dear employment.
_Romeo and Juliet_, Act v, sc. 3, l. 30-32.
"Tragedies", p. 75, col. A, lines 34-36.

A striking proof that Shakespeare had no fear of tautology when he
wished to strengthen the impression of a word by constant reiteration
is given in the _Merchant of Venice_ (Act v, sc. 2), whence we have
already quoted a few lines. The passage concerns the disposal by
Bassanio of a ring he had received from Portia, and he answers her
thus in the First Folio text:[34]

_Bassanio_. Sweet _Portia_,
If you did know to whom I gave the Ring,
If you did know for whom I gave the Ring,
And would conceive for what I gave the Ring,
And how unwillingly I left the Ring,
When naught would be accepted but the Ring,
You would abate the strength of your displeasure.


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