In the case of plays acted before the court, however, the royal and
noble ladies, undoubtedly, wore many of their finest jewels, as did
also the sovereign and courtiers. Still, preoccupied as Shakespeare
must have been with the presentation, or representation of the
dramatic performance, he probably had little time or inclination to
devote especial attention to these jewels.
No museum collections, properly so called, existed in Shakespeare's
day, from which he could have acquired any closer knowledge of
precious stones or gems, although the conception of a great modern
museum of art and science found expression in the "New Atlantis" of
his great contemporary, Lord Bacon. The modest beginnings of the Royal
Society of London, founded in 1662, cannot be traced back beyond 1645.
The French Academy of Sciences, founded in 1666, was preceded by
earlier informal meetings of French scientists, to which allusion is
even made by Lord Bacon, who died in 1626. The Berlin Academy came
much later, in 1700, and the St. Petersburg Academy was first
established in 1725 by Catherine I, widow of Peter the Great. One
society, the Academia Secretorum Naturae of Naples, goes back to 1560,
and the Accademia dei Lincei of Prince Federico Cesi was founded at
Rome in 1603. But of these Shakespeare could have known little or
nothing.
That the poet knew, more or less vaguely, of America as a source of
precious stones, as were the Indies, comes out in the farcical lines
from _The Comedy of Errors_ (Act iii, sc.
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