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ACT II. SCENE 1.--_Azucena_ insists on telling _Manrico_ a long and
rather improbable story of how, in a fit of absorption, she once burnt
her own son in mistake for the _Conte di Luna's, Manrico_ listens, as
a matter of filial duty--because, after all, she is his mother--but
he is clearly of opinion that these painful family reminiscences are
far better forgotten. Perhaps he suspects that her anguish may be
due to a severe fit of indigestion--the symptoms of which are almost
indistinguishable from those of operatic remorse. At all events, he
does not find his parent a cheerful companion, and, as soon as he
finds a decent excuse for escape, takes it.
SCENE 2.--The Cloisters of a Convent. _Enter_ the _Conte di Luna_,
with followers, to abduct _Leonora_. The followers range themselves
against a wall in the background, until the Count has finished
"_Il Balen_." If their opinion was asked, they would probably be
in favour of his making rather less noise about it, if he really
means business--but of course it is not _their_ place to interfere.
_Leonora_ enters to take the veil, with procession of nuns, preceded
by four female acolytes--or are they pages?--in white tights, carrying
tapers. The Count and his followers are evidently a little taken
aback--an abduction not quite so simple an affair as they expected.
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