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Bernhardt, Sarah, 1845-1923

"The Idol of Paris"

..
really ... between ourselves ... was not there something? ... deceived
the most suspicious. All these "fors" and "againsts" had kindled the
curiosity of the public, and the general sympathy was strongly in
favour of the unconscious cause of the great modern mystery. The
notice, announcing the first appearance of Esperance Darbois in _On
ne badine pas avec l'amour_ drew an enormous crowd. The house was
entirely sold out several days in advance. Many who could not get
admission waited outside the theatre to get news during the intervals.
The corridors were full of French and foreign reporters.
Behind the scenes Esperance stood looking at herself in the mirror. It
was almost time for the curtain to go up. Dressed in the convent robe,
the strings of pearls was still about her neck. Should she unclasp it,
should she not? If they went with her on the stage would she not be
betraying her art; would they not clutch and strangle her, strangle
"_Camille_," until Esperance had to come back in her place? And
if she cast it aside, her loyalty, her promise? Must she wear fetters
to keep faith? Oh, Albert, Albert! Oh, these dark shadows, these
groping dark confusions where she so often strayed. Where was rest? Or
peace? And joy, the joy of the theatre, would that, too, be taken
away? She swayed a little and longed with all her strength for a force
not her own to enter in. She was too weak to fight against her own
Destiny.


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