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Bernhardt, Sarah, 1845-1923

"The Idol of Paris"


The "Judgment of Paris" had the same success. Everyone waited for
"Europa," and many were really disappointed. A hundred reasons were
given for its withdrawal, and none of them the true one.
The philosopher and his wife were sitting with Genevieve behind the
Styvens. Sometimes the Countess would turn around to compliment
Francois, and the unfortunate man, so frank, whose whole life had
never known deceit, suffered cruelly. There was an intermission to set
the stage for the concert. The guests pressed around the Styvens's to
express their admiration for Esperance, in the most dithyrambic, the
most superlative terms. The concert began. Albert had to go upon the
stage to play the Liszt duet with Esperance. He begged Francois
Darbois to take his place beside his mother.
When the curtain went up after the quartette of "Rigoletto," Esperance
and Albert were seated on the long piano stool. Loud applause greeted
them. The Duke was talking to Maurice in the wings and seemed a little
nervous. He envied Albert at that moment for his superiority as a
musician. When they finished, a great tumult demanded an encore, but
Esperance had come to the end of her strength.
As the public continued to applaud, Maurice and the Duke came forward
to see why they did not raise the curtain. Esperance looked at the
Duke.
"Oh! no, please do not raise the curtain; my heart is beating so
fast."
Albert and the Duke supported her gently and she leaned upon them, her
pretty head bending towards the Duke.


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