Whenever an alteration of this kind is made in
the playbills, he will remind you that he let you into the secret
six months ago.
The theatrical young gentleman has a great reverence for all that
is connected with the stage department of the different theatres.
He would, at any time, prefer going a street or two out of his way,
to omitting to pass a stage-entrance, into which he always looks
with a curious and searching eye. If he can only identify a
popular actor in the street, he is in a perfect transport of
delight; and no sooner meets him, than he hurries back, and walks a
few paces in front of him, so that he can turn round from time to
time, and have a good stare at his features. He looks upon a
theatrical-fund dinner as one of the most enchanting festivities
ever known; and thinks that to be a member of the Garrick Club, and
see so many actors in their plain clothes, must be one of the
highest gratifications the world can bestow.
The theatrical young gentleman is a constant half-price visitor at
one or other of the theatres, and has an infinite relish for all
pieces which display the fullest resources of the establishment.
He likes to place implicit reliance upon the play-bills when he
goes to see a show-piece, and works himself up to such a pitch of
enthusiasm, as not only to believe (if the bills say so) that there
are three hundred and seventy-five people on the stage at one time
in the last scene, but is highly indignant with you, unless you
believe it also.
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