Peter's, 238, 239, 246;
the Brutus, 249;
S.M. degli Angeli, 251;
a grand-nephew born, 265;
death of Urbino, 256, 256;
a visit to the country near Spoleto, 256;
illness, 268;
death, 258;
works left in his house, 259;
his body is deposited in SS. Apostoli, 260;
conveyed to Florence, 260;
and carried to Santa Croce, 261;
his imitators, 263;
character and endowments of the master, 77;
his love of all beautiful things, 87;
his abstemious life, 88;
generosity, 88, 264, 265;
a description of his person, 91;
and the colour of his hair and eyes, 92;
the master visits S. Silvester, 273;
and expresses his opinion of the quiet life of work, 276;
of painting in Flanders, 279;
on drawing, 295-297, 308-322;
on working quickly or slowly, 325;
on the value of paintings, 314;
on grotesque, 316;
and on devotional painting, 319.
Milan, 158, 250
Milliarini: Professor, discovers a statue, 108
Minerva: the church of S.M. Sopra, 74, 180, 181
Mini: Antonio, pupil of the master, 192, 204, 264
Mini: Paolo, 207
Miniato: San, fortifications, 55, 202, 203
Minighella, 264
Monciatto: woodcarver, 115
Montanto: Antonio, 184
Montelupo, 194
Montevarchi: Ser Giovanni di Guasparre, 151
Montevecchio; Cardinal, 63
Montorsoli, 194
Moscheroni: Flemish merchants, 29
Moses: marble statue, the Tomb of Julius, 33, 67, 68, 129, 167, 182, 225
Mother: of the Master, _see_ Francesca
Mould on the Vault, 46, 161
Mozza: Via, 184
Nanni di Baccio Bigio: his intrigues, 242, 244, 247
Naples: copy of the Day of Judgment, 253
National Gallery, 116, 157, 204, 265, 292, 330, 331
Neptune: proposed statue of Andrea Doria as, 190, 191
Nero, 275, 285
New Sacristy of San Lorenzo, 192, 208, 293
Nicholas V.
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