, 29, 128;
who orders the Tomb, 30-34, 128-130;
marbles brought from Carrara, 30, 34, 128;
flight from Rome, 85, 36, 130;
works in Florence on the Cartoon, 37, 130;
joins Julius at Bologna, 39, 132;
the Colossal Bronze, 40, 133-142, 144, 145;
returns to Florence, 143;
but is summoned to Rome, 143;
to paint the vault of the Sistine Chapel, 41-49, 145-165;
descriptions of the vault, 42-46, 167-179;
death of Julius, 50, 146, 180;
proceeds with the Tomb, 51, 180-182;
but Leo X. orders a facade for San Lorenzo, 51;
quarries at Carrara and Pietra Santa, 52, 183, 185;
the facade abandoned, 54, 185;
the Library, 54;
the New Sacristy, 54, 186;
and the Medici Tombs, 68-60, 192-194, 208-216;
the Siege of Florence, the master made Commissary-General of
Fortifications, 55-58;
visits Ferrara, 60;
flight to Venice, 66;
return to duty, 57;
the fall of Florence, 67, 203;
the master in hiding, but he is allowed to return to work on the Tombs,
68, 203;
the Leda, 61, 62, 202;
the Risen Christ, 74, 180, 187, 188;
new agreement with the executors of Julius, 62-64, 194;
the master is called to Rome by Clement VII. and leaves Florence for the
last time, 62, 208;
the Day of Judgment, 64, 70, 71, 216-224;
Paul III. appoints the master chief architect, sculptor, and painter to
the Vatican, 216;
the Tomb of Julius erected in San Pietro ad Vincula, 67-69, 195, 224-227;
the frescoes in the Cappella Paolino, 73, 232;
the Pieta of S.M. del Fiore, 73, 234-237;
the cornice of the Farnese Palace, 238;
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